Headless Horseman Blog

About historic Sleepy Hollow and its environs…

Tag: art

Native Son—Rockwell Kent

By Henry John Steiner

 Historian of Sleepy Hollow, New York

The solitary figure in an austere landscape is the emblem of Rockwell Kent’s rugged individualism. Kent’s work is homage to the mystic power and beauty found in both man and nature. The “elemental” reigned supreme in the artist’s view of life, nature, and his art. One familiar example of this theme is the bookplate he designed for the Warner Library about 1947. A man stands, book in hand, near the crest of a hill; the wide Tappan Zee and the hills of Nyack lie in the background. This image and Kent’s distinctive artistic style were etched into my memory from the time I first borrowed a book from the Warner Library as a young child. As I recall, there was a time when Kent’s bookplate was pasted into the endpaper of nearly every book in the library.

 The scenes of Sleepy Hollow and Tarrytown are no match for the stark drama of Tierra del Fuego, Alaska, Newfoundland, and Greenland, which fills much of Kent’s work, but these Hudson Valley hills served as the artist’s spiritual incubator. The man was a set of contradictions, a sociable introvert, a cantankerous sentimentalist, a mix of Victorian formality and radical non-conformity, an avowed socialist whose patrons included corporations and the wealthy. This strange mix would lead to a kind of artistic and political rejection during his lifetime; some might call it a suicide, others a crucifixion.

young Rockwell Kent

Young Rockwell Kent

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Artist in Residence: Robert Havell

By Henry John Steiner

 Historian of Sleepy Hollow, New York

 If today you started out from Main Street in Tarrytown and headed north along Broadway (Route 9), you would pass the now vacant carpet shop of T. F Andrews. The shop sits at the corner of Dixon Street where the road intersects with Broadway. Traveling further north you would come to the Warner Library. Then, continuing on a few blocks, you would pass Immaculate Conception Catholic Church at College Avenue in Sleepy Hollow. If you strolled a mile further, you would come to the office of Sleepy Hollow Cemetery, and not far from that building is the grave of Robert Havell, an artist of the Hudson River School.

Havell lived the last years of his life in a house near the corner of Dixon Street. He took leisurely walks to the church at the corner of College Avenue (then called Saint Mark’s Episcopal Church). Two fine examples of his artistry and craftsmanship hang prominently in the Warner Library. His mortal remains lie undisturbed and virtually unnoted in the cemetery.

If, on a Sunday in the 1870s, you took the same route along Broadway, you might have seen an elderly couple strolling toward the church just mentioned. Robert and Amelia Havell were from England, and Robert had made his reputation and his fortune as an artist.

Born in Reading, England, about forty miles west of London, Robert Havell, Jr., was the son of an engraver and publisher, who in turn was the son of an engraver and publisher. Entering his father’s business at an early age, Robert learned the artistry and technology of aquatint and the business of publishing.


Havell as an elderly man

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